Constructing the physical sensibility of this script — its electric touch — is a task that starts on the page. James Ivory is happy to let these emotions bubble in the subtext of the screenplay, until one vintage moment of transposed dialogue:. We can almost picture the parenthetical above the line that contradicts its meaning. Romantic plot-threads are frequently paired with coming-of-age narratives.
This partnering allows the romance to unlock the doors to adulthood for a protagonist, effectively raising its stakes within a script.
Later, as Elio approaches manhood, we see him confront his own developing masculinity in the shaving mirror. One character arc that flies under the radar in the film is the experience of Oliver as an American in Europe.
His progression is one of insecurity to familiarity, although his outsider status and he hardly looks Italian does condition his confidence and behaviour later in the script. The irony here, of course, is that they are inherently patronizing and excluding Oliver by speaking at a pace which he cannot follow in a language he can barely understand.
Only a minority of critical responses to the film grapple with the issue of abuse. Tonally, Guadagnino seems eager to sanitize the shades of abusiveness which Ivory has painted onto his script. Perhaps Guadagnino suggests that every lover is undergoing a kind of abuse. In any case, the outcome is an aestheticized rendering of moments that in the screenplay seem uncomfortable and coercive, particularly in the context of a sexual relationship between a year-old boy and an otherwise-straight man 15 years his senior.
Why do the characters choose sickness as a metaphor here? Has Elio truly convinced himself that homosexuality is a disease? It seems unlikely given the liberal attitude of his parents. During their takeover of the Big Easy secrets are revealed and hearts are broken.
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At Christmas, Oliver visited and informed Elio that he was getting married. Fourteen years later, Elio decided to visit Oliver at the college where he worked. Oliver still had the postcard he had taken from Elio.
Elio had dinner with Oliver and his family.
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