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Do you enjoy reading or your need a lot of educational materials for your work? Finally, a direct Polish-to-English translation by Bill Johnston was made available as an ebook and audiobook in In my case, I saw the Tarkovsky film first back in , watched the Soderbergh film in , finally read the translation in , and listened to the audiobook version in Are the book and films worthy of all this attention?
Stanislaw Lem was a well-respected author in the Soviet Union, and the Tarkovsky film became a surprise hit in Russia, playing continuously for 15 years in limited runs there. His relationship with the SF world is tenuous, as he preferred not to be associated with it despite his frequent use of SF tropes in his fiction.
The planet Solaris is covered by a single, massive ocean, and after the initial discovery scientists began to observe unusual movements and formations in the ocean. Entire schools of scientific and philosophic thought dedicated to studying the ocean develops over many decades and are dubbed Solaristics. No one yet dared suggest closing the Station completely; this would be too overt an admission of failure. The novel revolves around a small group of scientists on Solaris Station, a research station that revolves around the planet Solaris.
It opens with psychologist Kris Kelvin arriving on Solaris Station to check on the three scientists stationed there. Nobody comes to greet him when he first arrives, and when he meets Snaut must sound better in Polish , the man is a psychological wreck, initially not believing Kelvin is real, and then refusing to explain what has happened on the station, which is in disarray, or why all the scientists are acting paranoid. He also reveals that Gibarian, whom Kelvin studied with at university, has committed suicide just that morning.
The third scientist is Sartorius, who is so eccentric that he stays in his lab and refuses to come out and converse. Stanislaw Lem builds his scenario carefully and immediately establishes the claustrophobic atmosphere in which the scientists operate, and throws Kelvin into the midst of this.
Even more perplexing, these simulacra do not recognize their own natures, but lacking coherent memories. Kelvin initially is not visited, but when he does receive a guest, it turns out to be his lost lover Rheya, who committed suicide after they had a fight. Over time, the various scholars despair of ever understanding Solaris or its ocean. This theme is brilliantly explored, and is in stark contrast to the vast majority of SF that posits that given the opportunity we can communicate with alien intelligences.
But how much of that is merely our anthropomorphic bias, clouding our judgment? For a truly alien consciousness, are humans nothing more than insignificant insects buzzing around. What could be more humiliating that making contact only to discover the Other was completely uninterested? Solaris also represents a very mature response to the question of alien intelligence, which I found both brilliant and ironic.
While this may have been a legitimate artistic choice to make the film more accessible to the audience, it also weakens the most important philosophical SF aspects of the novel.
Visually the film truly is striking though very slow-moving , and is often considered of the greatest SF films created during Soviet Union era. It certainly is worth watching for fans of Stanislaw Lem, s SF art-house films, and those interested in Russian cinema. Although Soderbergh claims he intended to be more faithful to the book than Tarkovsky by refocusing the story on Solaris and not Earth, he too dispensed with the scientific study of Solaris Solaristics and the ocean in favor of the psychological drama of Kelvin played by George Clooney and Rheya Natasha McElhone.
Indeed, in Solaris I attempted to present the problem of an encounter in Space with a form of being that is neither human nor humanoid. View all 32 comments. Jun 24, David Katzman rated it it was amazing. Solaris was fantastic, and Lem continues to amaze. The style of these two books couldn't be more different. TFC is hyper and absurdist and satirical, while Solaris is methodical and claustrophobic and creepy. In fact, I would describe Solaris as a horror sci fi novel with the tonality of an existentialist nightm Solaris was fantastic, and Lem continues to amaze.
In fact, I would describe Solaris as a horror sci fi novel with the tonality of an existentialist nightmare. It felt like a slow descent into the dark side of an LSD trip, after the trippy colorful visions comes a grim confrontation with nihilistic emptiness. Solaris is a rare book in achieving what few sci fi authors have: presenting a truly alien "consciousness," if it can be called that, it's hard to qualify what it is exactly.
Lem never resorts to humanizing this alien life-form and maintains an active incomprehensibility. I've got a third Lem on my shelf, and I'm sure I'll get to it soon.
Recommended for any fan of cerebral sci fi. Jun 07, P. Modesty forbids us to say so, but there are times when we think pretty well of ourselves. And yet, if we examine it more closely, our enthusiasm turns out to be all a sham. We don't want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.
For us, such and such a planet is as arid as the Sahara, another as frozen as the North Pole, yet another as lush as the Amazon basin. We are humanitarian and chivalrous; we don't want to enslave other races, we simply want to bequeath them our values and take over their heritage in exchange.
We think of ourselves as the Knights of the Holy Contact. This is another lie. We are only seeking Man. We have no need of other worlds. We are searching for an ideal image of our own world: we go in quest of a planet, of a civilisation superior to our own but developed on the basis of a prototype of our primeval past. At the same time, there is something inside us which we don't like to face up to, from which we try to protect ourselves, but which nevertheless remains, since we don't leave Earth in a state of primal innocence.
We arrive here as we are in reality, and when the page is turned and that reality is revealed to us — that part of our reality which we would prefer to pass over in silence — then we don't like it any more. Paradoxically, the French text was a major success which is still a rare fact among Polish-to-French translations! La pudeur nous retient de le proclamer, mais par moments nous nous jugeons admirables. C'est un second mensonge. Nous ne recherchons que l'homme.
Nous n'avons pas besoin d'autres mondes. Nous avons besoin de miroirs. Nous ne savons que faire d'autres mondes. Un seul monde, notre monde, nous suffit, mais nous ne l'encaissons pas tel qu'il est. Suggestion musicale : Solar Halos - Alphaxone A fascinating novel. From the creepy set-up, with definite sf-horror-vibes, to the truly alien life form.
From the failed attempts at making contact to the fictional history of a whole scientific field. Anthropomorphising is a main feature of the story, but not of the author's writing.
This novel doesn't make it easy for the reader and certainly not for its characters. It's a back and forth between chapters of scientific exploration and the effects of something on the human mind that is basically A fascinating novel. It's a back and forth between chapters of scientific exploration and the effects of something on the human mind that is basically incomprehensible for it. I always gravitated more towards the human part of the story.
For me this is a story of love and loss and guilt and longing. And about the exploration and the limits of the human mind. I guess it is fitting that I too reached my limits here. Once again the descriptions and attempted explanations of Solaris tested the boundaries of my imagination. The pictures just wouldn't form in my mind, except for the very basics. Also, the science isn't real, can't be. Which makes me a little less appreciative of lengthy explanations. Those chapters are just too infodumpy for me.
Everything else is super atmospheric, though, and all of it makes one think. A lot. I read this in only a couple of days. But that's only because it is a short book. I was definitely taking my time with it. I like the first half of it better than the second. But the ambiguity makes it a novel for repeated reading and frequent new or rediscoveries.
A few words on the translations. I've read this two times now and have looked at four different translations. It's also the one I recommend. This has been a buddy read and buddy watch with Nataliya. Both of it was great fun. And I'm glad that I also know the Tarkovsky film now. Even if we probably laughed a lot more than its creators intended for us to.
View all 43 comments. After being the victim of constant mockery from friends for never having watched Tarkovsky over the years, I finally decided it was about time. Of course, there's no watching the film without having read the novel first, not in my books. First stop, Solaris. Mixed feelings is what I have about this one, I must admit. At first, I was so hooked, I almost lost my sleep over it. I loved the atmosphere. During the first half, there's this constant, unnerving feeling of dread like the one you get when After being the victim of constant mockery from friends for never having watched Tarkovsky over the years, I finally decided it was about time.
During the first half, there's this constant, unnerving feeling of dread like the one you get when walking down a dark path you don't recognize and you know that there could literally be anything hiding in the shadows.
I'm not sure if that was the author's intention, but I honestly don't know when was the last time a book made me feel that way. This uneasiness turned into philosophic pondering after a while, which, considering how it mixed with the sci-fi-ish mysterious atmosphere, was a unique experience all by itself. What spoiled the fun for me were the intervals of what seemed to be endless scientific information about the planet and the past explorations.
I know that this added to the book's point as well as the myth's realism, but interrupting the amazing plot to provide me with all this boring scientific information, well, it was kind of a turn-off and it happened twice.
My second complaint concerns the ending which I found rather abrupt and without closure. Four stars for the emotional and philosophical depth, as well as the riveting atmosphere. Four stars that would have been five if the pace was steady and the ending different. Solaris wasn't very rememberable. I'm not even completely sure what it was about because not a lot of things happened.
The book is short just over pages but it doesn't feel that way. I had to drag myself through the main character reading endless reports about the planet Solaris. I get it! The planet's weird. Can we move on now? FINE, have it you way, Mr. Lem, but you won't get many stars from me on goodreads! It probably would have been better had it been a picture book. If you could ski Solaris wasn't very rememberable.
If you could skip most of the descriptions and just look at a few pictures instead, the book would probably get cut down to a quarter of its current size. This guy is no Tolkien, but he likes his detailed descriptions. On a positive note, I'm impressed by the author's imagination. He was able to create his own unique world that made the book admirable and intelligent. But did I enjoy it?
Jan 07, Ivana Books Are Magic rated it it was amazing. So, Solaris really is a masterpiece. While listening to an audio version of this book, I felt like I was myself trapped on Solaris planet. Throughout the novel, there is much talk about the planet Solaris and the research being conducted there, giving the setting an authentic feel.
The philosophical aspect of the book is well developed and the characters are interesting. Although as readers, we have insight only in the mind of the protagonist, the other characters remain somewhat shred in myster So, Solaris really is a masterpiece. Although as readers, we have insight only in the mind of the protagonist, the other characters remain somewhat shred in mystery- a writing choice that makes sense as it adds to the overall lonely and isolated emotion and atmosphere captured by the book.
Kris Kelvin is the protagonist of this philosophical SF novel. As soon as Kelvin arrives aboard Solaris Station, he finds chaos as one member of the crew killed himself. The two scientist on this research station located near the surface of ocean seem to be going mad. When going mad seems like an easy way out, you know things are dire. Kris Kelvin soon realizes they are not mad, but rather the 'victims' of unknown forces.
Kelvin is a psychologist and his profession is well chosen on part of the writer, as it makes his theories about what is happening well articulated. His knowledge of human psychology, however, doesn't make Kelvin immune to the strange affects of Solaris planet.
He cannot be a therapist in these conditions, he has to endure the strange conditions and adapt as best as he can. The overwhelming mystery of the perplexing ocean planet is a always in the background, fulling the feeling of claustrophobia.
Solaris is one of the most captivating SF novels I read. A true classic. As far as I understand, the author Stanislaw Lem voiced his disappointment with both movie versions.
Lem's vision of his novel wasn't that of a love story- and he made that clear. I do see why, because Solaris is not only about that. The writer had a pessimistic view of our ability to communicate with aliens. This novel does express it- the ultimate futility of attempted human communications with the extraterrestrial life. In addition, Lem wrote other novels centering around failed first contact so that was obvious a subject he cared about. Nevertheless, there is a sort of a love story within Solaris- and the novel is better for it because it gives it complexity.
Once Kelvin wakes up and founds his ex Harley that committed suicide because he left her , a love story of some kind begins. There is talk of love between them and Kelvin does develop an emotional relationship with the second version of the' guest' as these beings are sometimes called. The moral dilemma considering guests creations created by the ocean is fascinating. Are they not human if they have been created by planet?
If you cut them, do they not bleed? The Harey replica seems to feel emotions just as much as humans do. Now, the love story and the moral debate over whether 'guests' can be considered human or not, it is not the central theme of the book, but it is one of the themes.
It is there. Perhaps the human to guest relationship Kevin- Harvey encompass about 30 percent of the novel, whereas the rest is all about Solaris and our inability to communicate with a different life form but it is there.
At times, it is hard to separate one theme from another, the moral dilemma from the love story and the main philosophical question at hand.
It doesn't surprise me that the film version seem to center on love story as it is easier to adapt to film then the philosophical aspect of the novel. That being said, I cannot seem to remember anything from the newer movie version I saw years ago and I haven't seen the Russian adaptation although from what I understand, it is a rather long one and brings new elements into the story.
I think the issue is not so much directors focusing on the love story, but on not presenting a wider perspective of it. I myself found the entire book quite fascinating. I particularly enjoyed the long descriptions of the planet, something that I imagine won't be interesting to everyone but it serves a purpose in making the planet seem real. I happen to share the author's pessimistic view of a possible contact with alien culture. As humans, we often cannot effectively communicate with one another within the same culture.
As humans we have failed to comprehend each others. We find it impossible to communicate with someone from a culture radically different from our own. How could we possibly hope to communicate with alien beings? But at the same time- wouldn't we just have to try? That answers the question to me why these scientist cannot leave the station even when the planet seems to torture them.
They just have to try. Nov 29, Evelina AvalinahsBooks rated it really liked it Recommends it for: scifi fans, classics fans. Shelves: , fiction , sci-fi. Been thinking for a while what I should put in this review. Clearly, everything has already been said about this book. It's like writing a review for Harry Potter or something. But still, I guess my 2 cents might do some of my friends some good. So I'll try.
So, why should you read this? First of all, it's a classic. Second, it's a scifi classic, and dare I say, a psychological classic is that a thing? I have to admit though, this book was not easy to read. It deals with very painful topics wha Been thinking for a while what I should put in this review. It deals with very painful topics what is it with me stumbling into these books lately?
You might remember my review about Blindness. This book is about human drama, tragedy, love and loss and, well, guilt, mostly. It's also about a very different consciousness to ours - ever since I've finished this book which was, in truth, more than a week before writing this review , I've been thinking that indeed the author was right.
When we write, read and appreciate scifi, we only ever want to hear about humanized aliens. Nobody can relate to something so alient that we can't even imagine it. Yet this book is about that.
And you can only ponder about its motives and ideas. Perhaps that is the central part of this book not the love and emotion, as the movies based on this story seem to have promoted - although don't mind me, I actually haven't seen the movies - true bookworm. But I've found that it was hard to care about a consciousness I absolutely coult not relate to. So I guess the author was right - we do only want to read about humanized aliens. Can't help it. Built that way.
It's a classic, and I think you should read this book. But you shouldn't start reading it with expectations. It's not some crazy love story, like it is often sold to be. Yes, there's love and loss, but it's not about that. It's more like an old-style hard scifi story not surprising either - written in It's just that it happens to involve love and loss and other psychological constructs.
And you might find that by the end, you still aren't really sure what to make of it. And I think that was the idea. Readers also enjoyed. Science Fiction. Science Fiction Fantasy. His books have been translated into 41 languages and have sold over 27 million copies. He is perhaps best known as the author of Solaris , which has twice been made into a feature film. In , Theodore Sturgeon claimed that Lem was the most widely read science-fiction writer in the world. Click Download or Read Online button to get solaris performance administration book now.
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